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It features scenes of Naru sleeping that were later used in the Italian Nintendo DS game La luna splende.Įpisode 4, Learn How to be Skinny From Usagi, features a terrible message about body image as Usagi is obsessed with her weight problem and her friends are tricked into going to an evil gym to get their energy drained.
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10 to send out flowers to girls to drain their energy and put them to sleep. When Umino and the rest of the kids from school go bad it’s up to Sailor Moon to stop them!Įpisode 3, The Mysterious Sleeping Sickness: Protect the Girls in Love, has Jadeite using the local radio station FM. The children who go there become evil and fight along with the monster of the week, who is posing as a fortune teller. The plot centres around a new fortune telling house that opens up in Juuban.
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It could be because Umino assaults his teacher and makes unwanted advances to Usagi or maybe they just wanted to get to the superhero group show Sailor Moon was marketed as more quickly, as three of the episodes that were cut from the series occurred before Sailor Mercury showed up. We can only speculate as to why it wasn’t released. Once the DVD and Blu-Ray releases are out later this year, Canadians will be able to enjoy those.Įpisode 1, The Crybaby: Usagi’s Beautiful Transformation, is the iconic first episode in which Usagi meets Luna and transforms into Sailor Moon in order to fight the first monster who has been masquerading as the mother of her friend Naru.Įpisode 2, Punishment Awaits: The House of Fortune is the Monster Mansion, was originally not released as part of DIC’s dub.
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This includes talking to YTV about the possibility of airing it on TV. Though no legal Canadian option is available at this time Viz is trying to find a way to bring the show to Canadian. I was not able to access the Neon Alley site directly even from a proxy. I use Unblock-US, a pay service, though others exist. As a Canadian I needed to use a proxy service to view the episodes. “The girls were fighting,” she yells at the screen, a refrain that never fails to thrill me.The Hulu service is not available in all countries. And she still hates when Tuxedo Mask saves the day. She still freaks out whenever Usagi and Mamoru kiss but you can tell the romance is growing on her. If she has one sartorial criticism it is that she thinks Usagi should try wearing pants in the winter months. Vivian is older now and there’s less tension in the room when the animation lingers on a bodice or a short skirt. Or at the very least confusing in an emotionally welcome way. Squint at Sailor Moon and it feels radical. The four evil henchmen who serve the villainous Queen Beryl in season one are guys with long flowing hair, earrings, and a kind of delicacy of bearing that scrambles expected tropes of threatening masculinity.Ĭompare this to your average Pixar homily, your run of the mill Nickelodeon sitcom. Sailor Moon is studded with androgyny and instances of queer love-which were sanitized in the U.S. That all strikes me as close enough to lived reality that I can forgive the idealized bodies and gender cliches. Usagi is bad at math, obsessively in love with a boy named Mamoru Chiba (who appears as the mysterious Tuxedo Mask to help get her out of peril-this always elicits a groan from Viv), and just generally exists in an anarchic landscape of peer pressure, extreme fashion choices, and sexualized villains. I also relished the feeling of a series that offers Vivian no clear or reassuring messages about how to grow up. My wife, seeing Usagi’s peekaboo transformation for the first time, seeing Vivian observe it with a fixed expression that could best be described as awe, was like, no.
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In front of a crescent moon she strikes a flattering limbs-akimbo pose (that Vivian and I have strained to imitate in the living room). Nail polish appears, as does a jeweled tiara that doubles as a weapon. When Usagi transforms into Sailor Moon, declaring her battle cry, “Moon Prism Power, Make Up!” her clothes momentarily disappear, and she is silhouetted in nothing but light, before she’s wrapped in a sailor getup with an extremely short hemline. Sailor Moon has been called feminist and I am not here to debate the merits of that claim, only to celebrate the show’s bewildering contradictions. And I was entranced, by the spare modernist cityscapes, the period specific Tokyo fashion and the savagery of the monsters, but more importantly, and I guess this is where it gets tricky, by the delightfully confusing empowerment messages.